I had no repertoire.
My teacher suggested a Chaminade,
A composer I had never heard of.
I worked on it.
I can’t say now, fifteen years later,
How close I came to perfecting it.
There is a run of thirty-second notes
With a single natural circled,
Evidence that I would forget that blip.
I listened to a professional play it perfectly,
And I was astounded at my audacity
To practice such a piece,
Astounded at the power, beauty, length
Of what the younger me attempted to accomplish.
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